A Generative Theory of Anticipation: Mood, Intuition and Imagination in Architectural Practice

Research output: Contribution to journalJournal articleResearchpeer-review

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A Generative Theory of Anticipation : Mood, Intuition and Imagination in Architectural Practice. / Stephan, Christopher.

In: The Cambridge Journal of Anthropology, Vol. 37, No. 1, 2019, p. 108-122.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Stephan, C 2019, 'A Generative Theory of Anticipation: Mood, Intuition and Imagination in Architectural Practice', The Cambridge Journal of Anthropology, vol. 37, no. 1, pp. 108-122. https://doi.org/10.3167/cja.2019.370109

APA

Stephan, C. (2019). A Generative Theory of Anticipation: Mood, Intuition and Imagination in Architectural Practice. The Cambridge Journal of Anthropology, 37(1), 108-122. https://doi.org/10.3167/cja.2019.370109

Vancouver

Stephan C. A Generative Theory of Anticipation: Mood, Intuition and Imagination in Architectural Practice. The Cambridge Journal of Anthropology. 2019;37(1):108-122. https://doi.org/10.3167/cja.2019.370109

Author

Stephan, Christopher. / A Generative Theory of Anticipation : Mood, Intuition and Imagination in Architectural Practice. In: The Cambridge Journal of Anthropology. 2019 ; Vol. 37, No. 1. pp. 108-122.

Bibtex

@article{1f6bfa1d5b434edea5e79a61419af0f7,
title = "A Generative Theory of Anticipation: Mood, Intuition and Imagination in Architectural Practice",
abstract = "In this article, I argue that anticipation unfolds within a range of experiential modalities. Because moods and emotions, intuitions and imagination, among other forms of experience, can all appear as disclosing something about the future, anticipation is heterogeneous. Building on work in phenomenological anthropology and philosophy, I offer a generative phenomenology of the range of anticipatory experience, arguing that some forms of experience are relatively more implicit while others may prove more salient and offer more explicable forms of anticipation. As anticipation emerges in time, the more implicit experiential modes such as mood and intuition operate as antecedents to more explicit ones such as imagination. Turning to apply these ideas to ethnographic materials from my fieldwork among architectural design teams in San Francisco, I demonstrate how attentiveness to this gradient of anticipatory experience allows us to account for anticipatory experiences as they unfold through time.",
author = "Christopher Stephan",
year = "2019",
doi = "10.3167/cja.2019.370109",
language = "English",
volume = "37",
pages = "108--122",
journal = "The Cambridge Journal of Anthropology",
issn = "0305-7674",
publisher = "Berghahn Books",
number = "1",

}

RIS

TY - JOUR

T1 - A Generative Theory of Anticipation

T2 - Mood, Intuition and Imagination in Architectural Practice

AU - Stephan, Christopher

PY - 2019

Y1 - 2019

N2 - In this article, I argue that anticipation unfolds within a range of experiential modalities. Because moods and emotions, intuitions and imagination, among other forms of experience, can all appear as disclosing something about the future, anticipation is heterogeneous. Building on work in phenomenological anthropology and philosophy, I offer a generative phenomenology of the range of anticipatory experience, arguing that some forms of experience are relatively more implicit while others may prove more salient and offer more explicable forms of anticipation. As anticipation emerges in time, the more implicit experiential modes such as mood and intuition operate as antecedents to more explicit ones such as imagination. Turning to apply these ideas to ethnographic materials from my fieldwork among architectural design teams in San Francisco, I demonstrate how attentiveness to this gradient of anticipatory experience allows us to account for anticipatory experiences as they unfold through time.

AB - In this article, I argue that anticipation unfolds within a range of experiential modalities. Because moods and emotions, intuitions and imagination, among other forms of experience, can all appear as disclosing something about the future, anticipation is heterogeneous. Building on work in phenomenological anthropology and philosophy, I offer a generative phenomenology of the range of anticipatory experience, arguing that some forms of experience are relatively more implicit while others may prove more salient and offer more explicable forms of anticipation. As anticipation emerges in time, the more implicit experiential modes such as mood and intuition operate as antecedents to more explicit ones such as imagination. Turning to apply these ideas to ethnographic materials from my fieldwork among architectural design teams in San Francisco, I demonstrate how attentiveness to this gradient of anticipatory experience allows us to account for anticipatory experiences as they unfold through time.

U2 - 10.3167/cja.2019.370109

DO - 10.3167/cja.2019.370109

M3 - Journal article

VL - 37

SP - 108

EP - 122

JO - The Cambridge Journal of Anthropology

JF - The Cambridge Journal of Anthropology

SN - 0305-7674

IS - 1

ER -

ID: 340700216