I and We: Hannah Arendt, Participatory Plurality, and the Literary Scaffolding of Collective Intentionality

Research output: Contribution to journalJournal articleResearchpeer-review

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I and We : Hannah Arendt, Participatory Plurality, and the Literary Scaffolding of Collective Intentionality. / Morgan, Ben; Rokotnitz, Naomi; Budelmann, Felix; Zahavi, Dan.

In: Interdisciplinary Literary Studies, Vol. 25, No. 2, 2023, p. 235-264.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Morgan, B, Rokotnitz, N, Budelmann, F & Zahavi, D 2023, 'I and We: Hannah Arendt, Participatory Plurality, and the Literary Scaffolding of Collective Intentionality', Interdisciplinary Literary Studies, vol. 25, no. 2, pp. 235-264. https://doi.org/10.5325/intelitestud.25.2.0235

APA

Morgan, B., Rokotnitz, N., Budelmann, F., & Zahavi, D. (2023). I and We: Hannah Arendt, Participatory Plurality, and the Literary Scaffolding of Collective Intentionality. Interdisciplinary Literary Studies, 25(2), 235-264. https://doi.org/10.5325/intelitestud.25.2.0235

Vancouver

Morgan B, Rokotnitz N, Budelmann F, Zahavi D. I and We: Hannah Arendt, Participatory Plurality, and the Literary Scaffolding of Collective Intentionality. Interdisciplinary Literary Studies. 2023;25(2):235-264. https://doi.org/10.5325/intelitestud.25.2.0235

Author

Morgan, Ben ; Rokotnitz, Naomi ; Budelmann, Felix ; Zahavi, Dan. / I and We : Hannah Arendt, Participatory Plurality, and the Literary Scaffolding of Collective Intentionality. In: Interdisciplinary Literary Studies. 2023 ; Vol. 25, No. 2. pp. 235-264.

Bibtex

@article{33aca33a90a5435781c98c80d9610683,
title = "I and We: Hannah Arendt, Participatory Plurality, and the Literary Scaffolding of Collective Intentionality",
abstract = "This article examines Hannah Arendt{\textquoteright}s contribution to notions of the “We” and tests key Arendtian concepts through relation and juxtaposition with philosophical and literary texts from different periods, thereby complicating discussions of (1) how individuals participate in, shape, and are shaped by various forms of “We”; (2) how, within collective participation, individuals come to care about being themselves; and (3) to what extent literary texts enable and encourage processes of identity construction and (re)configuration. For Arendt, the “place in the world which makes opinions significant and actions effective” (2017, 387–88) is “the result of our common labor, the outcome of the human artifice” (2017, 393)—the shared practices and institutions that Wittgenstein calls “forms of life” (2009, 15). In this article, the authors argue that by exploring and critiquing “forms of life” literature can expand the range of activities we recognize as fostering “participatory sense-making” (De Jaegher and Di Paolo 2007, 465). The three literary provocations presented here—Callimachus{\textquoteright}s “Hymn to Apollo,” Thomas Mann{\textquoteright}s The Magic Mountain, and Margaret Atwood{\textquoteright}s Alias Grace—all interrogate the situated interactions of “I{\textquoteright}s” and “We{\textquoteright}s” that instantiate the “participatory plurality” of the shared world.",
author = "Ben Morgan and Naomi Rokotnitz and Felix Budelmann and Dan Zahavi",
year = "2023",
doi = "10.5325/intelitestud.25.2.0235",
language = "English",
volume = "25",
pages = "235--264",
journal = "Interdisciplinary Literary Studies",
number = "2",

}

RIS

TY - JOUR

T1 - I and We

T2 - Hannah Arendt, Participatory Plurality, and the Literary Scaffolding of Collective Intentionality

AU - Morgan, Ben

AU - Rokotnitz, Naomi

AU - Budelmann, Felix

AU - Zahavi, Dan

PY - 2023

Y1 - 2023

N2 - This article examines Hannah Arendt’s contribution to notions of the “We” and tests key Arendtian concepts through relation and juxtaposition with philosophical and literary texts from different periods, thereby complicating discussions of (1) how individuals participate in, shape, and are shaped by various forms of “We”; (2) how, within collective participation, individuals come to care about being themselves; and (3) to what extent literary texts enable and encourage processes of identity construction and (re)configuration. For Arendt, the “place in the world which makes opinions significant and actions effective” (2017, 387–88) is “the result of our common labor, the outcome of the human artifice” (2017, 393)—the shared practices and institutions that Wittgenstein calls “forms of life” (2009, 15). In this article, the authors argue that by exploring and critiquing “forms of life” literature can expand the range of activities we recognize as fostering “participatory sense-making” (De Jaegher and Di Paolo 2007, 465). The three literary provocations presented here—Callimachus’s “Hymn to Apollo,” Thomas Mann’s The Magic Mountain, and Margaret Atwood’s Alias Grace—all interrogate the situated interactions of “I’s” and “We’s” that instantiate the “participatory plurality” of the shared world.

AB - This article examines Hannah Arendt’s contribution to notions of the “We” and tests key Arendtian concepts through relation and juxtaposition with philosophical and literary texts from different periods, thereby complicating discussions of (1) how individuals participate in, shape, and are shaped by various forms of “We”; (2) how, within collective participation, individuals come to care about being themselves; and (3) to what extent literary texts enable and encourage processes of identity construction and (re)configuration. For Arendt, the “place in the world which makes opinions significant and actions effective” (2017, 387–88) is “the result of our common labor, the outcome of the human artifice” (2017, 393)—the shared practices and institutions that Wittgenstein calls “forms of life” (2009, 15). In this article, the authors argue that by exploring and critiquing “forms of life” literature can expand the range of activities we recognize as fostering “participatory sense-making” (De Jaegher and Di Paolo 2007, 465). The three literary provocations presented here—Callimachus’s “Hymn to Apollo,” Thomas Mann’s The Magic Mountain, and Margaret Atwood’s Alias Grace—all interrogate the situated interactions of “I’s” and “We’s” that instantiate the “participatory plurality” of the shared world.

U2 - 10.5325/intelitestud.25.2.0235

DO - 10.5325/intelitestud.25.2.0235

M3 - Journal article

VL - 25

SP - 235

EP - 264

JO - Interdisciplinary Literary Studies

JF - Interdisciplinary Literary Studies

IS - 2

ER -

ID: 355721950